I appear to have thrown myself wholeheartedly into worldbuilding for New Sekrit Project. Have to balance that with not neglecting Previous Sekrit Project, assuming anyone's still following that...

What I'm hung up at right now is the part where Muse, in-her-infinite-wisdom, seems to have mentally cast the Bernard Marx-y role in her Brave New World homage as Idris Elba. I suspect that it's Relevant, bordering on plot-Relevant, that he's both A, an Englishman, and B, not a white Englishman, but it would be nice for once to be able to dredge up some of the stuff that goes on at the level of subconscious intuition to where I can interrogate the crap out of it before I'm elbows deep in things and have to work back to see how I can reinforce ideas I'd half(-assedly) worked out here and there already. Because compared to that, I suspect that genderswapping most of the rest of the cast is fairly small potatoes, relatively speaking...

(Have also learned that Shaw's original ending for Pygmalion was basically going to be "Eliza punches Henry in the face and goes off to work for universal suffrage" -- I may have interpreted it in my own unique idiom. Feeling rather vindicated in my displeasure at Billy Elliot right about now.)
legionseagle: (Default)

From: [personal profile] legionseagle


Oh, dear, is he? I mean, Marx is explicitly coded Jewish in the original, and that's got a lot of resonance both in a book written in 1931 and in an environment of resurging European (including British) anti-Semintism; it seems a pity to lose that.
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